To an Isle in the Water

by William Butler Yeats

Shy one, shy one,
Shy one of my heart,
She moves in the firelight
Pensively apart.

She carries in the dishes,
And lays them in a row.
To an isle in the water
With her would I go.

She carries in the candles,
And lights the curtained room,
Shy in the doorway
And shy in the gloom;

And shy as a rabbit,
Helpful and shy.
To an isle in the water
With her would I fly.`

Day is Done

The Day is Done

Henry Wadsworth Longfellow

The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a felling of sadness comes o’er me
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and hearfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.

For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.

Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still hear in his soul the music
Of wonderful melodies.

Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.

Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.
And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.

Life Is Fine- Langston Hughes

I went down to the river,
I set down on the bank.
I tried to think but couldn't,
So I jumped in and sank.

I came up once and hollered!
I came up twice and cried!
If that water hadn't a-been so cold
I might've sunk and died.

But it was Cold in that water! It was cold!

I took the elevator
Sixteen floors above the ground.
I thought about my baby
And thought I would jump down.

I stood there and I hollered!
I stood there and I cried!
If it hadn't a-been so high
I might've jumped and died.

But it was High up there! It was high!

So since I'm still here livin',
I guess I will live on.
I could've died for love--
But for livin' I was born

Though you may hear me holler,
And you may see me cry--
I'll be dogged, sweet baby,
If you gonna see me die.

Life is fine! Fine as wine! Life is fine!

I Wandered Lonely As A Cloud- William Wordsworth

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced, but they
Out-did the sparkling leaves in glee;
A poet could not be but gay,
In such a jocund company!
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

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"The Hollow Men" by T.S. Eliot

I


We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death's other Kingdom
Remember us -- if at all -- not as lost
Violent souls, but only
As the hollow men
The stuffed men.


II


Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer --

Not that final meeting
In the twilight kingdom


III


This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.

Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.


IV


The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.


V


Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow

For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow


Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow

For Thine is the Kingdom


For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.

Haunted House- Edwin Arlington Robinson

Here was a place where none would ever come
For shelter, save as we did from the rain.
We saw no ghost, yet once outside again
Each wondered why the other should be so dumb;
And ruin, and to our vision it was plain
Where thrift, outshivering fear, had let remain
Some chairs that were like skeletons of home.

There were no trackless footsteps on the floor
Above us, and there were no sounds elsewhere.
But there was more than sound; and there was more
Than just an axe that once was in the air
Between us and the chimney, long before
Our time. So townsmen said who found her there.

Excerpt from Book II of Paradise Lost

By John Milton

A note: I know this is tough to read, but the main thing is to not give up. Take your time with things you can't understand, and have faith in yourself. Remember: other people have read and comprehended this; it is far from impossible.

In this passage, Satan, after being cast out of Heaven and into Hell, seeks to pass through the locked gates of Hell so as to corrupt Man and get back at God. Two figures stand in his way: a woman who is beautiful from the waist up, but whose bottom is a serpent and who has hell hounds circling around her waist, devouring her entrails, and a monstrous shade. The woman holds the key to the Gates, and refers to Satan as "Father". Here, she tells Satan of her and the shade's origin.

"Hast thou forgot me, then; and do I seem
Now in thine eye so foul?--once deemed so fair
In Heaven, when at th' assembly, and in sight
Of all the Seraphim with thee combined
In bold conspiracy against Heaven's King,
All on a sudden miserable pain
Surprised thee, dim thine eyes and dizzy swum
In darkness, while thy head flames thick and fast
Threw forth, till on the left side opening wide,
Likest to thee in shape and countenance bright,
Then shining heavenly fair, a goddess armed,
Out of thy head I sprung. Amazement seized
All th' host of Heaven; back they recoiled afraid
At first, and called me Sin, and for a sign
Portentous held me; but, familiar grown,
I pleased, and with attractive graces won
The most averse--thee chiefly, who, full oft
Thyself in me thy perfect image viewing,
Becam'st enamoured; and such joy thou took'st
With me in secret that my womb conceived
A growing burden. Meanwhile war arose,
And fields were fought in Heaven: wherein remained
(For what could else?) to our Almighty Foe
Clear victory; to our part loss and rout
Through all the Empyrean. Down they fell,
Driven headlong from the pitch of Heaven, down
Into this Deep; and in the general fall
I also: at which time this powerful key
Into my hands was given, with charge to keep
These gates for ever shut, which none can pass
Without my opening. Pensive here I sat
Alone; but long I sat not, till my womb,
Pregnant by thee, and now excessive grown,
Prodigious motion felt and rueful throes.
At last this odious offspring whom thou seest,
Thine own begotten, breaking violent way,
Tore through my entrails, that, with fear and pain
Distorted, all my nether shape thus grew
Transformed: but he my inbred enemy
Forth issued, brandishing his fatal dart,
Made to destroy. I fled, and cried out Death!
Hell trembled at the hideous name, and sighed
From all her caves, and back resounded Death!
I fled; but he pursued (though more, it seems,
Inflamed with lust than rage), and, swifter far,
Me overtook, his mother, all dismayed,
And, in embraces forcible and foul
Engendering with me, of that rape begot
These yelling monsters, that with ceaseless cry
Surround me, as thou saw'st--hourly conceived
And hourly born, with sorrow infinite
To me; for, when they list, into the womb
That bred them they return, and howl, and gnaw
My bowels, their repast; then, bursting forth
Afresh, with conscious terrors vex me round,
That rest or intermission none I find.
Before mine eyes in opposition sits
Grim Death, my son and foe, who set them on,
And me, his parent, would full soon devour
For want of other prey, but that he knows
His end with mine involved, and knows that I
Should prove a bitter morsel, and his bane,
Whenever that shall be: so Fate pronounced.
But thou, O father, I forewarn thee, shun
His deadly arrow; neither vainly hope
To be invulnerable in those bright arms,
Through tempered heavenly; for that mortal dint,
Save he who reigns above, none can resist."




P.S. Wiki "Paradise Lost" to get the background of the story. It'll help your comprehension.

The Song of the Wandering Aengus

By William Butler Yeats

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.

My Triumph

by John Greenleaf Whittier

The autumn-time has come;

On woods that dream of bloom,

And over purpling vines,

The low sun fainter shines.

The aster-flower is failing,

The hazel’s gold is paling;

Yet overhead more near

The eternal stars appear!

And present gratitude

Insures the future’s good,

And for the things I see

I trust the things to be;

That in the paths untrod,

And the long days of God,

My feet shall still be led,

My heart be comforted.

O living friends who love me!

O dear ones gone above me!

Careless of other fame,

I leave to you my name.

Hide it from idle praises,

Save it from evil phrases:

Why, when dear lips that spake it

Are dumb, should strangers wake it?

Let the thick curtain fall;

I better know than all

How little I have gained,

How vast the unattained.

Not by the page word-painted

Let life be banned or sainted:

Deeper than written scroll

The colors of the soul.

Sweeter than any sung

My songs that found no tongue;

Nobler than any fact

My wish that failed of act.

Others shall sing the song,

Others shall right the wrong,—

Finish what I begin,

And all I fail of win.

What matter, I or they?

Mine or another’s day,

So the right word be said

And life the sweeter made?

Hail to the coming singers!

Hail to the brave light-bringers!

Forward I reach and share

All that they sing and dare.

The airs of heaven blow o’er me;

A glory shines before me

Of what mankind shall be,—

Pure, generous, brave, and free.

A dream of man and woman

Diviner but still human,

Solving the riddle old,

Shaping the Age of Gold!

The love of God and neighbor;

An equal-handed labor;

The richer life, where beauty

Walks hand in hand with duty.

Ring, bells in unreared steeples,

The joy of unborn peoples!

Sound, trumpets far off blown,

Your triumph is my own!

Parcel and part of all,

I keep the festival,

Fore-reach the good to be,

And share the victory.

I feel the earth move sunward,

I join the great march onward,

And take, by faith, while living,

My freehold of thanksgiving.

In the Well- Andrew Hudgins

My father cinched the rope,
a noose around my waist,
and lowered me into
the darkness. I could taste

my fear. It tasted first
of dark, then earth, then rot.
I swung and struck my head
and at that moment got

another then: then blood,
which spiked my mouth with iron.
Hand over hand, my father
dropped me from then to then:

then water. Then wet fur,
which I hugged to my chest.
I shouted. Daddy hauled
the wet rope. I gagged, and pressed

my neighbor's missing dog
against me. I held its death
and rose up to my father.
Then light. Then hands. Then breath.

Introduction to Poetry- Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.